Branded in the 80s!

The Podcasts

So, I thought I'd start off this new column with a quick explanation of why I wanted to start writing about bubbly colored sugar water, as well as to sort of backdate the column to include some pieces I wrote about six million years ago that really seem to fit into this whole idea.

First, the backdating.  Content-wise on this site, one of the first things that I couldn't wait to write about on this site was my love of the 7-Eleven Slurpee, and the various related frozen soda-esque drinks that dot the landscape of fast food joints, gas stations, and convenience stores in America.  While breaking down all of the various nostalgic memories of food-related items into categories, I can't help but notice that a few float to the top.   When I think of fast food, I think of Long John Silvers.  Favorite at-home food item as a kid = Chef Boyardee Mini Raviolis.  And when I think of my favorite drinks, Slurpees are right up there at the top.

As a kid I wasn't really allowed to drink much soda.   Usually I was permitted my fill of Shirley Temples while dining at Red Lobster on special occasions, or whenever we hit a fast food joint, which was pretty rare.   The only exceptions were a free pass to get a Slurpee anytime we'd hit a 7-Eleven, or an Icee when we went to K-Mart. At the time I never equated frozen drinks with soda, most likely because I tended to stray from the basic Coke version of these frosty beverages in favor of whatever fruit flavor was available at the time.  But when you break it down, most of these frozen drinks are just slightly less carbonated sodas, so the series of article/reviews I did feel like they fit into the new column's tone and content.   I've also written about some crazy sodas over the years, so I figured for simplicity's sake (at least as far as making the site archives nice and neat) I'd include all of these past bits.

Now as far as why I all of a sudden have the bug to write about soda, well that came about this past November when the wife and I made out first visit to the World of Coke museum here in Atlanta.  Though I've lived in and around the Atlanta area for the past 20 years I never made it over to this liquid sugar shrine, and while twiddling our thumbs in boredom one weekend it finally seemed like it was time to check it out.  Honestly, I wasn't expecting the museum to alleviate my boredom as it really does seem like a hokey cash-grab by one of the nations largest companies, not to mention that it was almost certain to be two or three hours of in-your-face advertising that I was paying for the privilege to sit through.

While my cynicism for the experience was more or less confirmed, I had to admit that there was a charm to the place, in particular the final stretch of the self-guided tour which consisted of a free, all-you-can-drink tasting area.  This was the section I was really looking forward to having had a inkling of what it would be like after a couple recent visits to Disney's Epcot which houses a miniature version of this tasting room in the Future World section of the park called Club Cool.  Whereas there were only 8 flavors to choose from at Epcot, the full on World of Coke tasting area features over 60 different Coca Cola brand products.  I scoffed when the tour guide challenged everyone to try all the flavors, and then I left the museum with an intense tummy ache after only making my way through 50 off varieties.

Not being one that backs down from a stupid challenge, especially a stupid pop culture challenge, the wife and I decided to go back to the museum two weeks later determined to not only try each and every drink, but to also write up some reviews and thoughts.  You know, for content on Branded.  Anyway, after achieving this inane diabetes-inducing goal I inadvertently got soda fever and was curious about how many different varieties were peppering our local grocery and specialty stores.  100 bottles later I decided that the only way to justify the sugar intake, not to mention the expense, was to cover all of these finds for the site, hopefully jarring some interesting thoughts and observations along the way.

Next week I'm going to dive into the column proper with the first of a three part look at the insane tasting area at the World of Coke.

Category: Soda Pop Culture -- posted at: 10:08 AM
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Usually around this time of year I can't help but slip into a post holiday internet coma, not unlike the hibernation schedule of many rodents, large hairy mammals, and marsupials, just with a lot less sleep-induced burning of fat, and a lot more avoiding the computer.  Seems like I've been shaken awake this year though and will probably start posting on a more regular schedule.  So I wanted to take a second and announce a new column I've been preparing, Soda Pop Culture

Hopefully it'll be taking an interesting look at the plethora of fine, fizzy, sometimes caffeinated, sometimes fruity beverages that have been keeping this country happy and alert for over a hundred years, not to mention contributing to the population's ill health and unfortunate rise in diabetics.  Sound like fun?  I hope so.  Since Peel Here has been winding down for awhile, I thought it would be nice to switch gears a and slip away form ephemera for awhile and get back to some of the roots of this site.



I'll also be making a lot of noise about one of the projects I'm working on for this year that I’'m really excited about, the 1st Up! Fair coming November 19th and 20th, at the Carnegie Center for Literacy & Learning in Lexington, KY.  Heck, it even got me excited enough to put pencil & ink to paper for the first time in over a year (by designing and drawing this banner…



Anyway, consider this bear nudged.

Category: Soda Pop Culture -- posted at: 3:52 PM
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I thought I'd step up out of my post holiday malaise for a second and announce something just absolutely super-cool.  On November the 19th & 20th, at the Carnegie Center for Literacy & Learning in Lexington, KY, the very first Up Fair will be held!



So what's an Up Fair you ask, well in a nutshell it's a symposium celebrating independent creative artists, writers, and print publishers, providing a venue for sharing thoughts and ideas on the process of creating comics, as well as other forms of independent publishing (including zines and books.)  Basically it's an answer for those who are frustrated with the larger comic conventions and who find that there isn't a whole lot of room for truly independent self-publishers in the over-priced, low-traffic Artist Alleys of most mainstream shows.

In addition to an exhibitor's hall, there's also going to be all sorts of hands on workshops (screen printing, character design, process, self publishing, making mini and boutique comics, etc.) for all skill levels (novice to professional) lead by range of talented artists and writers.  There will also be an art exhibit as well as other activities (like a Drink & Draw social the evening before the convention.)



The Up Fair is the shared brainchild of a great pool of independent artists including Mark Rudolph, Kevin Cross, Sara Turner, and Anne & Jerzy Drozd (whose artwork you can see above in that order.)  Between the five of them they bring decades of experience in comic and print making, as well as teaching at a professional level.   My wife Carrie and I have also wormed our way into the organizational committee and we can't wait to start recruiting artists and publishers and getting the finalized programming nailed down.  Best of all, this show is completely FREE to the public, and being in Lexington it's centrally located so we're hoping to have a wide and varied turnout for what promises to be a really fun experience.

For more information on the show, please check out the Up Fair website and download episode 116 of the Art & Story Podcast for the official announcement and mission statement from the organizers.  You can also get updates on news, guests, and programming by subscribing to the Up Fair RSS feed, as well as following the Fair on Twitter.  If you're interested in exhibiting at the show, stay tuned as we're finalizing the jurying/registration process.  Finally, if you're interested in helping to support the show, a great start would be spreading the word and linking to the Up Fair site.



Category: general -- posted at: 8:35 AM
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Like a playful snowball to the face, The Saturday Supercast is back again with episode 25!  In honor of the very merriest of seasons Jerzy, Kevin, and I decided is was the perfect time to tackle another Rankin/Bass special from the 80s as well as revisiting the G.I. Joe cartoon series.   This episode is the second of a two part exploration taking a look at the magic and wonder of some amazing Christmas themed stop motion animagic.

Beginning with The New Adventures of Pinocchio in 1960 Rankin/Bass established themselves as one of the foremost pop culture animation houses in America.  Arthur Rankin Jr. & Jules Bass (along with a bevy of puppeteers, seamstresses, artisans, animators, musicians and talented actors & voice actors) spent the better part of thirty years bringing exceptional all-ages entertainment into our homes and theaters.  In fact, from the debut of Rudolph, the Red-Nosed Reindeer in 1964 Rankin/Bass became synonymous with the Christmas season.  Between 1964 and 1985 the studio produced 18 beloved Christmas specials and feature films including Frosty the Snowman, Santa Claus is Comin' To Town, The Little Drummer Boy, 'Twas the Night Before Christmas, and Jack Frost.

For this special holiday episode of the Supercast we decided to kick of the discussion with a look at the obscure 1981 Rankin/Bass special, The Leprechaun's Christmas Gold



…and we follow that up with a special guest to the round-table, Mark Rudolph of CV Comics, the Art & Story podcast, and the creator behind the Curse of the Pharaohs, to talk about a very merry episode of G.I. Joe: A Real American Hero, Cobra Claws are Coming to Town



In the episode we also talk about Christmas episodes of other 80s/90s era cartoons like Batman the Animated Series (Christmas with the Joker), Justice League (Comfort and Joy), Batman: Brave and the Bold (Invasion of the Secret Santas, Part 1 & Part 2), the He-Man & She-Ra Christmas Special, the Flintstones Christmas special, the insane Star Wars Holiday Special (Find all 15 parts of the special here), and the one G1 Transformers Christmas story we can recall.  We also mention the new online video service called Jaroo.com which features free viewing of such great cartoon series as Paddington Bear, Pole Position, the Littles, Jayce and the Wheeled Warriors, Ulysses in the 31st Century, StarCom, Inspector Gadget, and Captain N the Gamemaster.

As for the Leprechaun's Christmas Gold we also get into some more great Rankin/Bass voice acting from Robert McFadden and a surprisingly well-done Irish brogue from Art Carney, Bing Crosby's rendition of Christmas in Killarney, 80s era political correctness keeping the Leprechaun's Christmas Gold a little more obscure, banshees and the folklore and superstitions that arise in different regions of the world (including banshee combs and the concept of not directly passing the salt to another person), folklore hero and villain archetypes, battling the Devil, the lack of traditional Christmas lore in the LCG special, Czech shadow puppetry, the chroma key effect, the Last Unicorn and Rankin/Bass' tradition of great animated water/waves, and Rankin/Bass' clever use of common household items in their stop motion work.

While discussing the Cobra Claws are Coming to Town we also mention our previous round-table episodes on the G.I. Joe series in episodes 19 & 20 of the Saturday Supercast as well as getting into the very tenuous Christmas message in this episode, Toys for Tots, some more of the excellent voice-work by Frank Welker (who plays Polly in this episode), Neil Ross (Shipwreck), Arthur Burghardt (Destro), Morgan Lofting (the Baroness), & Liz Aubrey (Covergirl), the impending Shout Factory DVD re-release of G.I. Joe the Movie, Covergirl's make-over as the cartoon series progressed, the writing chops of Gerry & Carla Conway and Roy & Dan Thomas, Trojan horses, the awesome costume changes of characters in 80s cartoons that feature very obvious seasonal and location changes, Joes out of costume in The Viper is Coming, revealing the real names of the G.I. Joe characters (or the hilarious lack-there-of) in episodes such as Cobra Claws are Coming to Town, The Trader, Flint's Vacation, and Captives of Cobra.

If you're interested in watching The Leprechaun's Christmas Gold, it's available as part of the newly repackaged Classic Christmas Favorites set from Warner Brothers as a special feature on the How the Grinch Stole Christmas DVD.  As for the Cobra Claws episode of G.I. Joe: A Real American Hero, you can also view it for free via Veoh, or you can find the episode on the Complete G.I. Joe series footlocker set, or on the individual season 1.3 release scheduled to hit store shelves on February 2nd, 2010.

As for us, well you can find more of Jerzy's work at:
Make Like a Tree Comics
jdrozd.blogspot.com
Art & Story Podcast

Kevin is freelance illustrator, comic creator, and podcaster whose work can be found at:
Kevin Cross.net
Big Illustration Party Time Podcast
Ghettomation Podcast
Money Mod Webcomic

…and I am a blogger and irregular podcaster whose stuff you can find, uh, here.

If you have any questions, comments, or heck, even complaints, you can drop us a line at Saturday Supercast!

Become a fan of the Saturday Supercast on Facebook or follow us on Twitter!

Subscribe Through iTunes
Podcast RSS

Direct download of the episode is available here.
Category: Saturday Supercast Podcast -- posted at: 2:00 PM
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Jiminycrickets these past two months have been hectic.  As you've probably already deduced there won't be anymore Boris Karloff posts as I'm way off schedule for that week of celebrating and the year is steamrolling over regardless.  On a positive note, Jerzy, Kevin and I had a chance to record some new Saturday Supercasts.  With the holiday season upon us, we decided it was the perfect time to tackle some Rankin/Bass specials from the 70s & 80s.  This episode is the first of a two part exploration taking a look at the magic and wonder of some amazing stop motion animation (Animagic for those Rankin/Bass-o-philes out there.)

Though Stop Motion Animation has been around since the turn of the 20th century (with some of the earliest work attributed to Albert E. Smith and J. Stuart Blackton's The Humpty Dumpty Circus in 1898, not to mention notable live-action/stop-motion pastiches such as The Lost World in 1925 and King Kong in 1933), it wasn't until the 50s & 60s that the medium really enjoyed a golden era.  Between the work of Ray Harryhausen & Willis O'Brian in films such as Mighty Joe Young ('49) and The 7th Voyage of Sinbad ('58), and Art Clokey's Gumby ('57) & Davey and Goliath ('60) series on television, stop motion was wowing audiences all over the world.

Beginning with The New Adventures of Pinocchio in 1960 Rankin/Bass established themselves as one of the foremost pop culture animation houses in America.   Arthur Rankin Jr. & Jules Bass (along with a bevy of puppeteers, seamstresses, artisans, animators, musicians and talented actors & voice actors) spent the better part of thirty years bringing exceptional all-ages entertainment into our homes and theaters.  In fact, from the debut of Rudolph, the Red-Nosed Reindeer in 1964 Rankin/Bass became synonymous with the Christmas season. Between 1964 and 1985 the studio produced 18 beloved Christmas specials and feature films including Frosty the Snowman, Santa Claus is Comin' To Town, The Little Drummer Boy, 'Twas the Night Before Christmas, and Jack Frost.

For this special holiday episode of the Supercast we decided to kick of the discussion with a look at the 1974 classic inspired by Phyllis McGinley's poem of the same name, The Year Without a Santa Claus



In the episode, aside from an in depth summary of the film, we also mention some comic strip inspired seasonal specials such as Ziggy's Gift (parts 1, 2, & 3), Blondie & Dagwood, and Cathy (parts 1, 2, & 3), as well as some other 80s Christmas cartoon specials like Garfield's Christmas (parts 1, 2, & 3), Pac-Man: Christmas Comes to Pacland (parts 1, 2, & 3), and the He-Man & She-Ra Christmas Special.  We also discuss the swell Rankin/Bass tradition of casting wonderful narrators for their specials including Fred Astaire, Burl Ives, Jimmy Durante, Red Skelton, Buddy Hackett, and of course Shirley Booth in The Year Without a Santa Claus, as well as the interesting choices for voice actors including Robert McFadden (best known for playing Snarf and Slythe on Thundercats), Paul Frees, Bradley Bolke, Dick Shawn, George S. Irving, and the number one star in the world Mickey Rooney.

In addition we dig into some of TYWaSC merchandising, the newly produced sequel from Warner Brothers called A Miser Brother's Christmas (which reunites Mickey Rooney and George S. Irving), how Rankin/Bass has that It's a Small World vibe from the famous Disney attraction, growing up with and without a white Christmas, epic adventure (Rankin/Bass) vs. schmaltzy storytelling (e.g. Olive the Other Reindeer, Growing Pains Christmas special (parts 1, 2, & 3), and Santa Claus: The Movie) in holiday specials, the Boris Karloff reading of McGinley's original poem, The Life & Adventures of Santa Claus, other Rankin/Bass productions (such as Thundercats, Silverhawks, Tigersharks and the Hobbit), the weird storytelling aesthetics and well-drawn villains of Rankin/Bass productions (Kubla Kraus, Burgermeister Meisterburger, MonStar, Mum-Ra, and the Winter Warlock), the very high degree of craftsmanship in the R/B productions, The differences between the original poem and the animated special, trying to figure out when the special is set (using references and homages like the Charlie Chaplin cameo and the Keystone Cop-like police officer), the connection to the previous Christmas special Santa Claus is Comin' to Town, Murray Laws & Jules Bass' musical collaborations, as well as replacement animation.

If you're interested in watching The Year Without a Santa Claus it's available in both a stand-alone release as well as part of the newly repackaged Classic Christmas Favorites set from Warner Brothers.  You can also view it for free via youtube (parts 1, 2, 3, 4, & 5.)

As for us, well you can find more of Jerzy's work at:
Make Like a Tree Comics
jdrozd.blogspot.com
Art & Story Podcast

Kevin is freelance illustrator, comic creator, and podcaster whose work can be found at:
Kevin Cross.net
Big Illustration Party Time Podcast
Ghettomation Podcast
Money Mod Webcomic

…and you probably know where you can find my stuff…

If you have any questions, comments, or heck, even complaints, you can drop us a line at Saturday Supercast!

Become a fan of the Saturday Supercast on Facebook or follow us on Twitter!

The Sugary Serials theme song was preformed by Umberto.

Subscribe Through iTunes
Podcast RSS

Direct download of episode 24 is available here!
Category: Saturday Supercast Podcast -- posted at: 10:09 AM
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Well, it's the first day of the Boris Karloff blog-a-thon, and I am totally unprepared (thanks goofy day job.)  I was working on a theme for this week's worth of Karloff tomfoolery, but the sudden unavailability of the Rankin/Bass film the Daydreamer, kicked that theme right in the short pants.  Basically, I wanted to take a look at Karloff's work in animation, both via his own personal credits (Mad Monster Party, How the Grinch Stole Christmas, and the Daydreamer) as well as the various homages I've noticed. I’m still going to try and stick to that theme, so we'll see how that goes.

For today though, I wanted to kick things off by saying that I'm one of those kids that has been deeply influenced by the man's performances without really knowing all that much about the man himself.  My first contact with a Karloff was through his narration for Chuck Jones' How the Grinch Stole Christmas, though I never made the connection that this was the same great performer that also brought Frankenstein's monster to life with the 1931 Universal classic.  Actually I don't recall ever thinking about who the man was behind Jack Pierce's wonderful makeup until I was a teenager.  I know I read about Karloff in the Crestwood House Frankenstein book in elementary school, but must not have made an impression (even though that series of books made up a huge portion of my early reading…)



Even though I count myself among the legion of Universal Horror fans, I still feel that I don't know all that much about the great Karloff, and that's one of the main reasons I wanted to take part in this blogging event.  If nothing else, I'm mighty curious about what the other 100 or so people participating have to say, or what insights into his amazing career I might uncover. 

To find the list of participating sites you should sprint on over to the Frankensteinia, Pierre Fournier's exhaustive and very well written site that covers all aspects of the monster Karloff helped to cement into the popular culture.

With that I'll leave you with an ink drawing of Karloff as the monster I did almost a decade ago…



Category: general -- posted at: 12:31 PM
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Wow, two double-stuffed episodes in a row.  Weird.  At first I was struggling a little to get these up to 10 minutes, now I'm trying my best to keep them below 20 minutes.   Micropodcasting indeed.  Anyway, in episode 20 I spend some time discussing the 1993 action TV series Cobra



I also talk about the show's prolific creator Stephen J. Cannell, the new FCC rules regarding "payments" for reviewing, the budget Millcreek DVD release of this series, and the soft-spoken, face-kicking Michael Dudikoff!
Direct download: Branded_in_the_80s_Microcast_Episode_20.mp3
Category: podcasts -- posted at: 5:00 AM
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